SE ANUNCIAN LAS NOMINACIONES A LOS 97.° Óscar®
LOS Óscar se transmitirán en vivo el 2 de marzo a las 7 p. m., hora del este de los EE. UU./4 p. m., hora del Pacífico, por ABC y HULU.
Los actores, guionistas y comediantes Rachel Sennott y Bowen Yang anunciaron hoy (23 de enero) las nominaciones a los 97.°
Óscar®, en vivo desde el Teatro Samuel Goldwyn de la Academia a través de una transmisión global en vivo en Oscar.com, Oscars.org y las plataformas digitales de la Academia, Disney+, Hulu, un canal satelital internacional y medios de difusión.
Sennott y Yang anunciaron a los nominados en dos grupos a partir de las 5:30 a. m., hora del Pacífico, seguidos por las categorías restantes a las 5:41 a. m., hora del Pacífico.
Los miembros de la Academia de cada una de las 19 ramas votan para determinar los nominados en sus respectivas categorías: los actores nominan a los actores, los editores de películas nominan a los editores de películas, etc. En las categorías de largometraje de animación, largometraje internacional y cortometraje de acción en vivo, los nominados son seleccionados por votación de
miembros de todas las ramas que optan por participar. Todos los miembros votantes son elegibles para seleccionar a los nominados a Mejor película. Los miembros enviaron votos de 93 países.
Largometraje de animación, largometraje documental y Mejor película son títulos de películas con nominados aún por determinar.
De acuerdo con las reglas de los premios, para calificar como productor nominado para una película nominada, el productor debe haber sido determinado elegible para un premio del Producers Guild of America por la película o haber apelado con éxito la negativa del Producers Guild of America a tal elegibilidad. Los restantes nominados designados al Oscar se anunciarán a principios de febrero.
Los miembros activos de la Academia podrán votar por los ganadores en las 23 categorías a partir del martes 11 de febrero y hasta el martes 18 de febrero.
Best Motion Picture of the Year:
Anora (Neon) – Alex Coco, Samantha Quan and Sean Baker, producers – This is the first Best Picture nomination for all three.
The Brutalist (A24) – Nominees to be determined.
A Complete Unknown (Searchlight) – Fred Berger, James Mangold and Alex Heineman, producers – This is the second Best Picture
nomination for Fred Berger. He was nominated for La La Land (2016).This is the second Best Picture nomination for James Mangold. He was nominated for Ford v Ferrari (2019).
This is the first nomination for Alex Heineman.
Conclave (Focus Features) – Tessa Ross, Juliette Howell and Michael A. Jackman, producers – This is the first Best Picture
nomination for all three.
Dune: Part Two (Warner Bros.) – Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, producers – This is the third Best
Picture nomination for Mary Parent and the second for Cale Boyter and Denis Villeneuve. Together they were nominated for
Dune (2021). Parent was also nominated for The Revenant (2015).
This is the first nomination for Tanya Lapointe.
Emilia Pérez (Netflix) – Nominees to be determined.
I’m Still Here (Sony Pictures Classics) – Nominees to be determined.
Nickel Boys (Orion Pictures/Amazon MGM Studios) – Nominees to be determined.
The Substance (MUBI) – Nominees to be determined.
Wicked (Universal) – Marc Platt, producer – This is his fourth Best Picture nomination. He was nominated for Bridge of Spies (2015),
La La Land (2016) and The Trial of the Chicago 7 (2020).
Achievement in Directing:
Anora – Sean Baker – This is his fourth nomination, including his nominations this year for Best Picture, Original Screenplay and
Film Editing.
The Brutalist – Brady Corbet – This is his second nomination, including his nomination this year for Original Screenplay.
A Complete Unknown – James Mangold – This is his fifth nomination, including his nominations this year for Best Picture and
Adapted Screenplay. He was also nominated for his adapted screenplay for Logan (2017) and for Best Picture for Ford v Ferrari
(2019).
Emilia Pérez – Jacques Audiard – This is his third nomination, including his nominations this year for Adapted Screenplay and
Original Song.
The Substance – Coralie Fargeat – This is her second nomination, including her nomination this year for Original Screenplay.
Performance by an Actor in a Leading Role:
Adrien Brody (“László Tóth” in The Brutalist) – This is his second nomination. He won an Oscar for his leading role in The Pianist
(2002).
Timothée Chalamet (“Bob Dylan” in A Complete Unknown) – This is his second nomination. He was nominated for his leading role
in Call Me by Your Name (2017).
Colman Domingo (“Divine G” in Sing Sing) – This is his second nomination. He was nominated last year for his leading role in
Rustin (2023).
Ralph Fiennes (“Lawrence” in Conclave) – This is his third nomination and second in this category. He was nominated for his
supporting role in Schindler’s List (1993) and for his leading role in in The English Patient (1996).
Sebastian Stan (“Donald Trump” in The Apprentice) – This is his first nomination.
Performance by an Actor in a Supporting Role:
Yura Borisov (“Igor” in Anora) – This is his first nomination.
Kieran Culkin (“Benji Kaplan” in A Real Pain) – This is his first nomination.
Edward Norton (“Pete Seeger” in A Complete Unknown) – This is his fourth nomination and third in this category. He was nominated
for his leading role in American History X (1998) and for his supporting roles in Primal Fear (1996) and Birdman or (The
Unexpected Virtue of Ignorance) (2014).
Guy Pearce (“Harrison Leo Van Buren Sr.” in The Brutalist) – This is his first nomination.
Jeremy Strong (“Roy Cohn” in The Apprentice) – This is his first nomination.
Performance by an Actress in a Leading Role:
Cynthia Erivo (“Elphaba” in Wicked) – This is her third nomination and second in this category. She was nominated both for Original
Song and for her leading role in Harriet (2019).
Karla Sofía Gascón (“Emilia/Manitas” in Emilia Pérez) – This is her first nomination.
Mikey Madison (“Ani” in Anora) – This is her first nomination.
Demi Moore (“Elisabeth Sparkle” in The Substance) – This is her first nomination.
Fernanda Torres (“Eunice Paiva” in I’m Still Here) – This is her first nomination
Performance by an Actress in a Supporting Role:
Monica Barbaro (“Joan Baez” in A Complete Unknown) – This is her first nomination.
Ariana Grande (“Galinda/Glinda” in Wicked) – This is her first nomination.
Felicity Jones (“Erzébet Tóth” in The Brutalist) – This is her second nomination and first in this category. She was nominated for her
leading role in The Theory of Everything (2014).
Isabella Rossellini (“Sister Agnes” in Conclave) – This is her first nomination.
Zoe Saldaña (“Rita” in Emilia Pérez) – This is her first nomination.
Adapted Screenplay:
A Complete Unknown – Screenplay by James Mangold and Jay Cocks (based on the book Dylan Goes Electric by Elijah Wald) -This is the second nomination in a writing category and the fifth overall for James Mangold, including his nominations this year for Directing and Best Picture. He was previously nominated for his adapted screenplay for Logan (2017) and for Best Picture for Ford v Ferrari (2019).
This is the third nomination for Jay Cocks. He was nominated for his adapted screenplay for The Age of Innocence (1993) and his original screenplay for Gangs of New York (2002).
Conclave – Screenplay by Peter Straughan (based on the book by Robert Harris) – This is his second nomination. He was nominated for his adapted screenplay for Tinker Tailor Soldier Spy (2011).
Emilia Pérez – Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi (based on the opera libretto by Jacques Audiard and the novel Écoute by Boris Razon) – This is the third nomination for Jacques Audiard, including his nominations this year for Directing and Original Song.
This is the first nomination for Thomas Bidegain, Léa Mysius and Nicolas Livecchi.
Nickel Boys – Screenplay by RaMell Ross & Joslyn Barnes (based on the book The Nickel Boys by Colson Whitehead) – This is the second nomination for RaMell Ross. He was nominated for Documentary (Feature) for Hale County This Morning, This Evening (2018).
This is the third nomination for Joslyn Barnes. She was nominated for Documentary (Feature) for Strong Island (2017) and Hale County This Morning, This Evening (2018).
Sing Sing – Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield (based on the article “The Sing Sing Follies” by John H. Richardson and the play Breakin’ the Mummy’s Code by Brent Buell) – This is the first nomination for all four.
Original Screenplay:
Anora – Written by Sean Baker – This is his first nomination in a writing category. He was also nominated this year for Best Picture, Directing and Film Editing.
The Brutalist – Screenplay by Brady Corbet, Mona Fastvold – This is the first writing nomination for both. Brady Corbet was also nominated this year for Directing.
A Real Pain – Written by Jesse Eisenberg – This is his first nomination in a writing category and second overall. He was nominated for his leading role in The Social Network (2010).
September 5 – Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David – This is the first nomination for all three.
The Substance – Written by Coralie Fargeat – This is her first writing nomination. She was also nominated this year for Directing.
Best International Feature Film:
I’m Still Here (Brazil) [Directed by Walter Salles.] – This is the fifth nomination for Brazil. Other nominations were for Keeper of Promises (The Given Word) (1962), O Quatrilho (1995), Four Days in September (1997) and Central Station (1998).
The Girl with the Needle (Denmark) [Directed by Magnus von Horn.] – This is the fifteenth nomination for Denmark. It has won four Oscars: for Babette’s Feast (1987), Pelle the Conqueror (1988), In a Better World (2010) and Another Round (2020). Other nominations were for Qivitoq (1956), Paw (1959), Harry and the Butler (1961), Waltzing Regitze (1989), After the Wedding (2006), A Royal Affair (2012), The Hunt (2013), A War (2015), Land of Mine (2016) and Flee (2021).
Emilia Pérez (France) [Directed by Jacques Audiard.] – This is the 39th nomination for France. It has taken home nine Oscars for My Uncle (1958), Black Orpheus (1959), Sundays and Cybele (1962), A Man and a Woman (1966), The Discreet Charm of the Bourgeoisie (1972), Day for Night (1973), Madame Rosa (1977), Get Out Your Handkerchiefs (1978) and Indochine (1992). Additionally, France received three Special/Honorary Awards prior to the establishment of a regular award category in 1956: for Monsieur Vincent (1948), The Walls of Malapaga (1950) [shared with Italy] and Forbidden Games (1952). Other nominations
were for Gervaise (1956), Gates of Paris (1957), La Vérité (1960), The Umbrellas of Cherbourg (1964), Live for Life (1967), Stolen Kisses (1968), My Night at Maud’s (1969), Hoa-Binh (1970), Lacombe, Lucien (1974), Cousin, Cousine (1976), A Simple Story (1979), The Last Metro (1980), Coup de Torchon (“Clean Slate”) (1982), Entre Nous (1983), Three Men and a Cradle (1985), Betty Blue (1986), Au Revoir Les Enfants (Goodbye, Children) (1987), Camille Claudel (1989), Cyrano de Bergerac (1990), Ridicule (1996), East-West (1999), The Taste of Others (2000), Amélie (2001), The Chorus (Les Choristes) (2004), Joyeux
Noël (2005), The Class (2008), A Prophet (2009), Mustang (2015) and Les Misérables (2019).
The Seed of the Sacred Fig (Germany) [Directed by Mohammad Rasoulof.] – This is the fourteenth nomination for Germany. It has won three Oscars: for Nowhere in Africa (2002), The Lives of Others (2006) and All Quiet on the Western Front (2022). Other nominations were for The Nasty Girl (1990), Schtonk! (1992), Beyond Silence (1997), Downfall (2004), Sophie Scholl – The Final Days (2005), The Baader Meinhof Complex (2008), The White Ribbon (2009), Toni Erdmann (2016), Never Look Away (2018) and The Teachers’ Lounge (2023). Prior to reunification in 1990, the Federal Republic of Germany received a total of eight
nominations. They were for The Captain of Kopenick (1956), The Devil Came at Night (1957), Arms and the Man (1958), The Bridge (1959), The Pedestrian (1973), The Glass Cell (1978), The Tin Drum (1979), which won the award, and Angry Harvest (1985). Also prior to reunification, the German Democratic Republic received one nomination, for Jacob, the Liar (1976).
Flow (Latvia) [Directed by Gints Zilbalodis.] – This is the first nomination for Latvia.
Best Animated Feature Film:
Flow (Sideshow and Janus Films) – Nominees to be determined.
Inside Out 2 (Walt Disney) – Kelsey Mann and Mark Nielsen – This is the first nomination for Kelsey Mann. This is the second nomination for Mark Nielsen. He won an Oscar for Animated Feature Film for Toy Story 4 (2019).
Memoir of a Snail (IFC Films) – Adam Elliot and Liz Kearney – This is the second nomination for Adam Elliot. He won an Oscar for his animated short film Harvie Krumpet (2003).
This is the first nomination for Liz Kearney.
Wallace & Gromit: Vengeance Most Fowl (Netflix) – Nominees to be determined.
The Wild Robot (Universal) – Chris Sanders and Jeff Hermann – This is the fourth nomination for Chris Sanders. He was nominated
for Animated Feature Film for Lilo & Stitch (2002), How to Train Your Dragon (2010) and The Croods (2013).
This is the first nomination for Jeff Hermann.